Vegas Shows In March 2027

Top Headliners and Residency Shows

March in Las Vegas typically brings a mix of returning headliner residencies and limited concert dates at venues like Sphere, The Colosseum at Caesars Palace, and Dolby Live at Park MGM. Expect a blend of long-running pop, rock, and country residencies alongside one-off shows from major touring acts passing through Las Vegas as part of their wider tour schedules. Confirmed 2027 lineups and dates will be added here once venues publish their March booking calendars.

Best Shows by Category

Beyond the headliners, March’s permanent show roster runs full speed. Spring break families join convention crowds, making advance booking more valuable than in slower months.

Cirque du Soleil Shows

Five Cirque productions run across the Strip, each built for different moods and audiences. March visitors should note that Mystère goes dark March 17 for St. Patrick’s Day—if that’s your target show, plan around it.

• “O” at Bellagio remains the romantic choice. The 1.5-million-gallon pool stage hosts synchronized swimmers, platform divers, and aerialists in a dreamlike 90 minutes that couples book for anniversaries and proposals. Wednesday-Sunday, 6:30pm and 9pm.

• KÀ at MGM Grand delivers narrative action—a twin-sibling quest told through martial arts choreography on a rotating vertical stage that shifts from floor to wall mid-scene. The pyrotechnics and 80-foot falls play best with teens and adults. Monday-Wednesday and Saturday-Sunday.

• Mystère at Treasure Island is the original Vegas Cirque, running since 1993. Classic circus wonder—acrobats, clowns, aerial silks—in a colorful, whimsical package that works for first-timers and families with kids 5+. Friday-Tuesday, 6pm and 8:30pm.

• Michael Jackson ONE at Mandalay Bay mixes the King of Pop’s catalog with Jabbawockeez-style choreography. The Thriller sequence alone justifies the ticket. Thursday-Monday, 6:30pm and 9pm.

• Mad Apple at New York-New York skews younger and edgier—a nightclub-vibe variety show with acrobatics, live music, and stand-up comedy. The late 9:30pm showtime fits post-dinner energy. Tuesday-Saturday.

Comedy Shows

March comedy peaks mid-month when Jerry Seinfeld holds the Colosseum on St. Patrick’s Day weekend— his observational precision will draw the convention crowd that prefers wit over shock.

• Jerry Seinfeld (Mar 17-18, Colosseum) needs no introduction. The Caesars Palace residency puts him in the same room where Sinatra played, and he treats the material accordingly—polished, precise, arena-level performance in a 4,300-seat theater.

• Adam Ray (Mar 20, Encore Theatre) brings character comedy and impressions—his Dr. Phil is internet-famous, but the live show expands into original creations that showcase range beyond viral clips.

• Andrew Santino (Mar 21, Encore Theatre) follows Ray with podcast-sharpened crowd work and willingness to chase tangents. The “Whiskey Ginger” host rewards audiences who like their comedy unpredictable.

• Ali Siddiq (Mar 14, The Theater at Virgin Hotels) delivers storytelling comedy rooted in his years incarcerated—raw, redemptive material that earns its emotional weight between genuine laughs.

• Penn & Teller at Rio continue their 20+ year residency Thursday-Sunday. The bullet catch is still miraculous; the between-trick commentary still skeptical and funny.

The club circuit keeps comedy flowing nightly. Brad Garrett’s Comedy Club at MGM Grand puts touring acts in a room small enough for heckler interactions. Jimmy Kimmel’s Comedy Club at LINQ rotates names you’ll recognize from late-night green rooms. Comedy Cellar at Rio recreates the Greenwich Village institution—same format, same unannounced walk-ons from headliners testing new material.

Magic Shows

The magic roster holds steady through March, anchored by the names that made Vegas the global capital of illusion.

• KÀ by Cirque du Soleil at MGM Grand blends acrobatics, martial arts, and a rotating stage into one of the most technically ambitious productions on the Strip.

• David Blaine at Encore Theatre brings his endurance-art sensibility to close-up magic. New March dates expand his Vegas residency; the intimate setting delivers the intensity his TV specials hint at but can’t fully capture.

• Shin Lim: Limitless at Venetian Theatre features sleight-of-hand that rewires your understanding of what hands can do. The two-time AGT champion works primarily with cards, but “card tricks” undersells the visual poetry. Mentalist Colin Cloud opens with mind-reading that sets up Lim’s physical impossibilities.

• Penn & Teller at Rio run Thursday-Sunday, mixing genuine wonder with intellectual honesty. They’ll expose a method, then perform something that defies the explanation you just learned. Twenty-plus years in the same room hasn’t dulled the partnership.

• Criss Angel MINDFREAK at Planet Hollywood stages illusion as rock concert—straitjackets, pyro, industrial aesthetics. The theatrical darkness appeals to audiences who find traditional magic too genteel.

• Mat Franco at LINQ takes the opposite approach: warm, participatory magic built around borrowed phones and wedding rings. The AGT Season 9 winner’s accessibility makes this the entry point for families and magic skeptics.

Adult & Burlesque Shows

Vegas after dark ranges from raunchy circus to sophisticated tease, and March’s convention crowds keep these rooms full.

• Absinthe at Caesars Palace operates in its own category—a circus-cabaret hybrid staged in an outdoor Spiegeltent where acrobats perform inches from your face while hosts deliver insults that would get them fired anywhere else. The show opened in 2011 and outlasted dozens of competitors because the danger feels real and the comedy holds nothing sacred.

• Zombie Burlesque at V Theater commits fully to its atomic-era horror-comedy concept—undead dancers, a live big band, and 1950s nightclub aesthetics played for camp rather than scares. The 75-minute runtime (8:30pm, dark Sundays) keeps the joke from wearing thin.

• Dita Von Teese at Voltaire inside The Venetian elevates burlesque to couture performance art—elaborate costumes, precision choreography, and staging that treats the female form as sculpture rather than spectacle.

• Magic Mike Live at Sahara built its audience beyond bachelorette parties by actually choreographing the dancing and scripting the seduction. Couples now account for a significant portion of the crowd.

Family-Friendly Shows

Spring break fills Vegas with families who discover the city programs far more all-ages entertainment than Sin City’s branding suggests.

• The Wizard of Oz at Sphere runs daily throughout March with multiple showtimes (11am, 2pm, 5pm, 8pm). The 75-minute immersive production uses Sphere’s 360-degree display to transport audiences into Oz—the tornado sequence alone justifies dragging kids to the venue. This is currently the only non-concert way to experience Sphere’s technology.

• Blue Man Group at Luxor communicates entirely through percussion, paint, and physical comedy—no dialogue means no language barrier and no jokes flying over kids’ heads. The 5pm performances align with younger attention spans; evening shows skew toward adults enjoying the absurdist humor.

• Tournament of Kings at Excalibur stages medieval combat as dinner theater. Knights joust, swords clash, and the audience eats roasted chicken with their bare hands while cheering for their assigned champion. The 6pm curtain gets families out before bedtime.

• Jabbawockeez at MGM Grand channels their America’s Best Dance Crew pedigree into a full production. The white-masked crew’s choreography lands hardest with the TikTok generation—if your teenager has ever learned a dance from their phone, they’ll recognize the vocabulary. Performances at 7pm and 9:30pm.

• Mac King Comedy Magic at Excalibur runs afternoon shows (1pm and 3pm) with sleight-of-hand and corny humor calibrated for all ages. Tickets under $50 make this the budget-friendly family magic option.

Both Mystère and KÀ admit children 5 and older; KÀ’s Saturday and Sunday matinees at 4:30pm leave time for dinner afterward.

March Show Dates With Most and Least Options

March never truly slows down — every night still offers dozens of live shows — but the number of options shifts more than it first appears. Some days scale back slightly and favor value-focused planning, while others expand and create ideal conditions for last-minute decisions.

Slower days

Sundays tend to run lightest. In March 2027, Sundays fall on March 7, 14, 21, and 28.

Busiest days

Weekends carry the deepest lineups. Show-heavy weekend dates in March 2027 fall on March 5-7, March 12-14, March 19-21, and March 26-28.

March Dark Weeks

Several long-running productions take a scheduled maintenance break at some point during March, which can tighten availability if your trip is built around one specific show. Below is each production’s regular weekly dark day — 2027 maintenance-break date ranges have not yet been confirmed and will be added once available.

Cirque du Soleil

Mystère (Treasure Island)

• Weekly Dark Days: Wednesday & Thursday

“O” (Bellagio)

• Weekly Dark Days: Monday & Tuesday

MJ ONE (Mandalay Bay)

• Weekly Dark Days: Tuesday & Wednesday

KÀ (MGM Grand)

• Weekly Dark Days: Thursday & Friday

Mad Apple (New York-New York)

• Weekly Dark Days: Sunday & Monday

Production & Variety Shows

Awakening (Wynn Las Vegas)

• Weekly Dark Days: Wednesday & Thursday

Jabbawockeez (MGM Grand)

• Weekly Dark Days: Tuesday & Wednesday

Tournament of Kings (Excalibur)

• Weekly Dark Day: Tuesday

Magic & Variety Specials

Penn & Teller (Rio)

• Weekly Dark Days: Tuesday & Wednesday

Where To See Shows In March

March show demand concentrates heavily early, then spreads out as convention traffic eases.

• Weeks 1 and 2 see the most pressure near the Convention Center and major Strip corridors, driven by CONEXPO-related travel.
  
• Week 3 narrows demand toward Convention Center–adjacent areas as overall traffic tapers.
  
• Week 4 remains active midweek but becomes more localized, improving flexibility across different Strip zones.
  

This shift makes late March particularly appealing for travelers who want strong show availability without navigating the most congested weeks.